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Reviving a Soho icon: Limelight's next act

In London's vibrant theatre district, this former Presbyterian church was transformed into a legendary nightclub in the 1980s. Rob Copsey explore this iconic gem and its remarkable journey.

11 November 2023

2 mins read

Reviving a Soho icon: Limelight's next act

The reputation of London’s Soho for decadence and debauchery goes back to the mid-1700s, but many would argue the eighties marked its hedonistic peak. At the forefront of this cultural explosion was Limelight, the iconic nightclub chain founded by the legendary promoter Peter Gatien.

Established as a celebrity hotspot in New York and Atlanta, Limelight's London location, which opened in 1985, mirrored its stateside success. Big hitters of the decade, including George Michael, Grace Jones, Boy George and Duran Duran, could often be found on its hallowed dancefloor.

To match the stature of this legendary nightclub brand, Gatien chose a former Presbyterian church nestled within London's bustling theatre district. Erected in 1888 to support the city's Welsh community, this Grade II listed building, designed by James Cubitt, encompasses a four-storey chapel and interconnected Minister's house adorned with striking features — from medieval-style arches and Romanesque columns to dramatic church windows.

The central auditorium, crowned by a spectacular domed ceiling, transitioned from a sacred space hosting church services until 1982 to a divine haven for party-goers dancing into the early hours.

In 2003, after 18 vibrant years, Limelight bid farewell, only to transform into a sports bar for tourists and London's after-work crowd. In 2011, a new chapter began as the building assumed the role of a performing arts venue, featuring a viewing gallery on the second floor and a basement housing a bar and nightclub.

This distinctive building is poised for a new chapter having gone under the gavel in an auction by Knight Frank. Situated at the intersection of Charing Cross Road and Shaftesbury Avenue on bustling Cambridge Circus, the opportunities for the property are limitless.

"The sale of this building provided an incoming purchaser with the opportunity to own a unique part of London's social history," Richard Watson, Head of Auctions at Knight Frank, said. "Rarely do buildings of this significance come up for sale in the heart of the West End, particularly those offering a blank canvas for development and a myriad of potential uses, including leisure and office space."

With international appeal, the property drew interest from diverse investors, particularly those in theatre and the wider arts community. These intimate and characterful buildings are ideally suited for performing arts, comedy, or social uses.

What will the next chapter for this building be in this extraordinary tale of London's social and architectural legacy? 

For details about upcoming auctions, contact the Knight Frank Auction team. 

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